Coming Soon

All Things Are Too Small is brilliant cultural and literary critic Becca Rothfeld’s plea for derangement: imbalance, obsession, gluttony, and ravishment in all domains of life, from literature to romance. In a healthy culture, Rothfeld argues, economic security allows for wild aesthetic experimentation and excess, yet in our contemporary world, we’ve got it flipped. The gap between rich and poor yawns hideously wide, while we compensate with misguided attempts to effect equality in love and art, where it does not belong.

When it comes to shame, Desiree Akhavan knows what she’s talking about—whether it’s winning the title of The Ugliest Girl at her high school, acquiescing to the nose job she was lovingly forced into by her Iranian parents, or losing her virginity to a cokehead she met in a support group for cutters. In You're Embarrassing Yourself, Desiree goes to the rawest places—the lifelong struggle to be at peace in one’s body, the search for home as the child of immigrants, the anxious underbelly of artistic ambition—in pursuit of wisdom, catharsis, and lolz.

From the author of dozens of #1 New York Times bestsellers and the creator of many unforgettable movies comes a vivid, intelligent, and nostalgic journey through three decades of horror as experienced through the eyes of the most popular writer in the genre. In 1981, years before he sat down to tackle On Writing, Stephen King decided to address the topic of what makes horror horrifying and what makes terror terrifying. Here, in ten brilliantly written chapters, King delivers one colorful observation after another about the great stories, books, and films that comprise the horror genre.

In I’m Laughing Because I’m Crying, Youngmi jokes through the retelling of her childhood as an offbeat biracial kid in Saipan, a place next to a place that Americans might know. She jokes through her difficult adolescence where she must parent her own parents: a mother who married her husband because he looked like white Jesus (and the singer of The Bee Gees). And with humor and irreverence and full-throated openness, she jokes even while sharing the story of what her family went through during the last century of colonialism and war in Korea.

The Language of the Night is Ursula K. Le Guin’s first full-length collection of essays and criticism, with sections on her own background, on fantasy and science fiction, on writing, and on the future of literate science fiction. Each section is introduced with commentary by Susan Wood and the book contains a complete bibliography of Le Guin’s work (at the time of publication).

Like Love is a momentous, raucous collection of essays drawn from twenty years of Maggie Nelson's brilliant work. These profiles, reviews, remembrances, tributes and critical essays, as well as several conversations with friends and idols, bring to life Nelson's passion for dialogue and dissent. Arranged chronologically, Like Love shows the writing, thinking, feeling, reading, looking and conversing that occupied Nelson while writing iconic books such as Bluets and The Argonauts.

With consummate craftsmanship, Mary Oliver has fashioned fifteen luminous prose pieces: on nature, writing, and herself and those around her. She praises Whitman, denounces cuteness, notes where to find the extraordinary, and extols solitude. Nature speaks to her and she speaks to nature.

In these widely praised essays, Calvino reflects on literature as process, the great narrative game in the course of which writer and reader are challenged to understand the world. Calvino himself made the selection of pieces to be included in this volume.

A collection of the year’s top food and travel writing, selected by the trailblazing New York Times bestselling author and Emmy-nominated host of Taste the Nation and Top Chef Padma Lakshmi. Author and host Padma Lakshmi selects the best twenty articles published in 2023 that celebrate food and travel.

Compiling Smarsh’s reportage and more poetic reflections, Bone of the Bone is a singular work covering one of the most tumultuous decades in civic life. Timely, filled with perspective-shifting observations, and a pleasure to read, Sarah Smarsh’s essays—on topics as varied as the socioeconomic significance of dentistry, laws criminalizing poverty, fallacies of the “red vs. blue” political framework, working as a Hooters Girl, and much more—are an important addition to any discussion on contemporary America.

Praised as “chaotic and vibrant” (Charles Yu), “visionary” (Sam Lipsyte), and “supremely original” (John Cusack), the work of Mark Leyner has inspired a generation of contemporary novelists and has long deserved its place of recognition among the literary superstars of the seismic postmodernism-influenced movement of the early 21st century. A Shimmering, Serrated Monster!: The Mark Leyner Reader samples the staggering highlights from Leyner’s extraordinary career in all of its bizarre and infatuating glory.

The early 2000s conjures images of dial-up internet connections, inflatable furniture, Hummer H2s, blinged out rap videos, and the feeling that the stock market would go up forever. The arrival of the new millennium was marked by a sense of both unbridled optimism and existential dread. For many it felt like the end of history; we’d solved all the big problems. No more wars, no more racism, no more sexism. But then history kept happening. In Y2K, Colette Shade offers a darkly funny meditation, unpacking everything from the pop culture to the political economy of the period.

A remarkable compilation of Dr. Martin Luther King Jr.’s reflections on love and its transformative power—a stellar addition to Dr. King’s archives published exclusively by HarperCollins.

In Robyn’s 2010 track Dancing on My Own, the Swedish pop-singer chronicles a night on the dance floor in the shadow of a former lover. She is bitter, angry, and at times desperate, and yet by the time the chorus arrives her frustration has melted away. She decides to dance on her own, and in this way, she transforms her solitude into a more complex joy.

Brilliant and uncompromising, piercing and funny, How to Slowly Kill Yourself and Others in America is essential listening. This new edition of award-winning author Kiese Laymon’s first work of nonfiction looks inward, drawing heavily on the author and his family’s experiences, while simultaneously examining the world—Mississippi, the South, the United States—that has shaped their lives. With subjects that range from an interview with his mother to reflections on Ole Miss football, Outkast, and the labor of Black women, these insightful essays highlight Laymon’s profound love of language.

Joan Didion es una de las cronistas fundamentales de la segunda mitad del siglo XX. En una edición a cargo de Claudio López de Lamadrid, Los que sueñan el sueño dorado reúne por primera vez en castellano una selección de artículos y ensayos de sus libros.

Jon Fosse said farewell to theory early in his career, choosing poetry, fiction, and drama as his mediums of choice. Here, however, in a selection from his two books of essays, we see just how incisive a critic and memoirist he can be. Not only including a generous portion of Fosse's writing on literature and theater—including the irresistible "Thomas Bernhard and His Grandfather"—this collection also includes such personal essays such as "My Dear New Norwegian," "Old Houses," and "He Who Didn't Want to Become a Teacher."

A Town Without Time has descriptive copy which is not yet available from the Publisher.

For more than a decade, Nate DiMeo has brought the big and small of American history to life in The Memory Palace, a podcast of crystalline short stories that are all completely true. In this beautifully designed collection, where DiMeo takes advantage of the visual form of a book by creating striking juxtapositions between images and text, he gathers the best of the show and adds brand-new stories exclusive to the book, which especially take their inspiration from photographs and the emergence of photography.

Wise and embodied, fearless and necessary, Being (Sick) Enough is both a wild awakening and a love letter to your whole self: the pains and suffering, joys and brightness, and vital connections that hold each of us as we navigate what it means to be here, like this, right now.