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Queer West  Por  arte de portada

Queer West

De: Brenna Farrell, Zakiya Gibbons, Ellen Horne
Narrado por: Niecy Nash-Betts
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Resumen del Editor

Stories of the American West often rely on tired tropes of tough cowboys, but real history is much less straight and narrow and way more interesting. Join host Niecy Nash-Betts for a wild round-up of LGBTQ+ lives that got buried in the dust of popular culture and history and take a look at how queer people continue to shape the West today–from gay rodeos to two-spirit identity to trans truckers.

Episode 1: "Welcome, Y'all!"

Saddle up and get ready to make some lifestyle choices! Host Niecy Nash-Betts introduces herself and the series–explaining how folks like her, a Black Hollywood star who’s married to a woman, find power in sorting out their place in the American West by bucking the typical stereotypes. From John Wayne to Lil Nas X, dressing the part has always been part of the package in coming to terms with a complicated history.

Episode 2: "Oklahomos!"

The musical Oklahoma! is a saga of the plains often performed as a high school musical and presented as an American Classic. But the man behind its creation–a gay Cherokee playwright named Lynn Riggs–is barely known today. We get to know Lynn Riggs, who mined the yearning in old cowboy songs to express himself, and ended up revealing the spiritual connections between the West, musicals, and queer identity.

Episode 3: "The Man in Lavender"

Country cred is a confusing mix of cheesy marketing and hard-to-put-your-finger-on-it authenticity. And that leaves a lot of room for country music to speak to tons of queerdos and fans from all walks of life. Back in 1973, a real-deal outlaw musician named Patrick Haggerty gave the finger to all the rules in Nashville and made the first gay country album–breaking a mold that, decades later, still needs remaking.

Episode 4: "Calamity Jane"

Calamity Jane–whose name became shorthand for gender-bendy nonconformity in the old West–was a legend in her own time, and remains a puzzle in ours. But in 1953, when homosexuality was illegal in every state, Doris Day brought her to life in a very queer film with a hit song that echoed off the walls of gay bars for decades.

Episode 5: "A Gay Utopia in Alpine County"

In 1970, an earnest vision to create a gay utopia took on a life of its own—by turns a prank, a punchline, a valid plan, and a source of panic for right-wing pundits. We’ll look at how a proposal to take over a small town in the Sierra Nevadas became a national story that forever changed how the media covered gay and lesbian people.

Episode 6: "Deborah’s Mission"

Mission-style has come to be part of California’s vibe...from architecture to burritos. But two-spirit writer Deborah Miranda is flipping the picture of California’s missions, and helping us to see California’s real history. As a California Indian whose sexuality is deeply tied to her understanding of herself and her community, Deborah’s story about finding her ancestors and finding her truth is the work of a lifetime.

Episode 7: "Old Mrs. Nash"

This is a story about how queer stories get erased from the history of the West, and why. At the very moment that new ideas about sexuality (and the words hetero and homosexual) were gaining ground in America, there was a huge freak-out happening about “the death of the frontier”. The ways these ideas collided in a battle about American identity show the power of questioning whose history matters. And this reflects the way we see not just the past but our current moment and future. One powerful example: Old Mrs. Nash (no relation to Niecy!), a Mexican laundress for General Custer in the 1870s.

Episode 8: "Gay Rodeo"

In the 1980s, the rodeo became a lifeline for queer folks to cowboy up and be themselves out West. Gay men, especially, found a place to be country and be out and proud at a time when that could cost them everything. Then, when the AIDS crisis hit, gay rodeo became a life-saving community, a place to stare down the odds and cheer each other on. But can an organization confronting the myths of a bygone past find a way to honor its own history without that getting in the way of moving into the future?

Episode 9: "Concrete Cowboys"

Are cowboys...passé? Take ‘em or leave ‘em, we can’t seem to quit ‘em. One form of modern-day cowboy is the trucker–or concrete cowboy. We meet a Black lesbian trucker who finds solace in a kind of cowboy code of ethics and explore how modern queer and trans truckers find freedom in being lone wolves on the open road. But independence can be a double-edged sword for drivers who are trying to be both themselves and stay safe. Our series ends out on the open road, reflecting on the many ways queerness embodies the myths and ideals of America itself: bold, brave, authentic, system-bucking, and always changing.

©2024 Story Mechanics LLC (P)2024 Audible Originals, LLC.
About the Host- Niecy Nash-Betts

About the Host

Niecy Nash-Betts is a Critics Choice Award-winning actress, Emmy Award-winning producer, and four-time Emmy-nominated actress who captivates audiences with her shining talent and infectious energy both in front of and behind the camera. Nash-Betts recently received a Critics Choice Award win and SAG and Emmy Award nominations for her role as Glenda Cleveland in Ryan Murphy's Netflix limited series Dahmer-Monster: The Jeffrey Dahmer Story, based on the life of serial killer Jeffrey Dahmer. Nash-Betts currently leads the FOX series The Rookie: Feds, where she plays special agent Simone Clark. She also recently starred in Ava DuVernay's Neon film Origin, an adaptation of Isabel Wilkerson's book, Caste: The Origins of Our Discontent, which premiered at the Venice International Film Festival. Nash-Betts continues to develop various projects through her production company, Chocolate Chick, Inc

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Lo que los oyentes dicen sobre Queer West

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The variety of stories about place and culture. It was refreshing to hear these stories especially from a Native American perspective.

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Wonderful!

Great voice - I could listen to this woman read a phone book and enjoy it. Much better, though, to hear these great stories.

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