Mostrando resultados por narrador "Joniece Abbott-Pratt" en Todas las categorías

Danielle Evans is widely acclaimed for her blisteringly smart voice and X-ray insights into complex human relationships. With The Office of Historical Corrections, Evans zooms in on particular moments and relationships in her characters’ lives in a way that allows them to speak to larger issues of race, culture and history. We meet Black and multi-racial characters who are experiencing the universal confusions of lust and love, and getting walloped by grief - all while exploring how history haunts us, personally and collectively.

When Anais Granofsky’s parents meet in the early 1970s, they are foreign and fascinating to each other. Stanley is the son of a very wealthy Toronto Jewish family; Jean is one of fifteen children from a poor Black Methodist family, direct descendants of the freed Randolph slaves. When Jean becomes pregnant at nineteen, Stanley doesn’t anticipate being cut off by his parents. Nor does the couple anticipate that Stanley, soon to rename himself Fakeer, will find his calling in the spiritual teachings of Bhagwan Shree Rajneesh on an ashram in India.

In the mid-1800s, Saint, an enigmatic and powerful conjure woman, always flanked by a silent companion, travels the South annihilating plantations and liberating the enslaved by means of purposeful violence and powerful magic. She founds a town for those she has freed–and for them alone. They name the town Ours. Surrounded by an impenetrable magical border raised by Saint's powers, Ours is invisible to the outer world and sits blissfully away from prying eyes and violent hands. Saint's mission is to kill slavery–to scourge its damage from the minds of her charges and to keep them safe forever.

Having restored their family's stolen throne, the time has come to look forward to a brighter future for the magical community. But for Valentina Savant, she lost everything and is hellbent on revenge. And lucky for her, she's not the only one. Hateful anti-magic protesters and a ruthless detective with a personal vendetta sabotage their reign at every turn. Worst of all, to protect the boy he loves, Clem has summoned a brutal god that stalks them from the shadows.

Sadalia Brushthorn is an ordinary teenage elf. She goes to school, hangs out with her friends, and dreams of becoming a journalist. But the problem is, nothing exciting ever seems to happen in her town of New Mushroomton. Sadalia wonders if she’ll ever get the chance to write a true investigative story. Then one day something mysterious, monumental, and shockingly magical erupts at her high school, sending everything into chaos. And the whole event centers on two elf brothers, Ian and Barley Lightfoot.

Sadalia Brushthorn is an ordinary teenage elf. She goes to school, hangs out with her friends, and dreams of becoming a journalist. But the problem is, nothing exciting ever seems to happen in her town of New Mushroomton. Sadalia wonders if she’ll ever get the chance to write a true investigative story. Then one day something mysterious, monumental, and shockingly magical erupts at her high school, sending everything into chaos. And the whole event centers on two elf brothers, Ian and Barley Lightfoot.

Teenager Raven Baxter has a special talent: She frequently gets spotty visions of the future, seeing brief glimpses of what could or will come to pass. This collection includes the first three books in the That’s So Raven series.

Teenager Raven Baxter has a special talent: She frequently gets spotty visions of the future, seeing brief glimpses of what could or will come to pass. This collection includes the first three books in the That’s So Raven series.

Set in a fantasy realm that’s not so different from our own day and age, Disney and Pixar’s Onward introduces two teenage elf brothers, Barley and Ian, who embark on an extraordinary quest to discover if there is still a little magic left in a world that now prefers cars and gadgets to winged steeds and enchanted staffs. Along the way, they will have to battle angry sprites, traverse a bottomless pit, and face unexpected dangers.

Set in a fantasy realm that’s not so different from our own day and age, Disney and Pixar’s Onward introduces two teenage elf brothers, Barley and Ian, who embark on an extraordinary quest to discover if there is still a little magic left in a world that now prefers cars and gadgets to winged steeds and enchanted staffs. Along the way, they will have to battle angry sprites, traverse a bottomless pit, and face unexpected dangers.

As the city grinds to a halt, twelve teens band together to help a friend pull off the most epic apology of her life. But will they be able to make it happen, in spite of the storm? No one is prepared for this whiteout. But then, we can’t always prepare for the magical moments that change everything.

Thirty years ago, a young woman was murdered, a family was lynched, and New Orleans saw the greatest magical massacre in its history. In the days that followed, a throne was stolen from a queen. On the anniversary of these brutal events, Clement and Cristina Trudeau - the sixteen-year-old twin heirs to the powerful, magical, dethroned family - are mourning their father and caring for their sick mother. Until, by chance, they discover their mother isn't sick - she's cursed. Cursed by someone on the very magic council their family used to rule. Someone who will come for them next.

Eager to wield their stapiers for Marvel Combat, Ella, Brigit, and Jason are back for their second year at the Arcanum Training Institute. With Ella's celebrity growing throughout the Marvellian world after thwarting the Ace of Anarchy's diabolical plans, it's proving hard for her to focus on her coursework. But back home in New Orleans the Conjure community isn't too happy about her return to the skies for another year learning to become a Marveller. As if life wasn't complicated enough, Ella soon discovers more dangerous secrets about the Conjure architect who built the school.

Three women are tied together by blood, love and family secrets. Potent, poetic, powerful, told with deep love, and spanning from the Great Migration through the civil unrest of the ‘60s to the cultural shift of the early 2000s, Denene Millner’s beautifully wrought novel is a hymn to Black motherhood, exploring three women’s intimate struggle with generational trauma and healing.