Today’s date in 1879 marks the birthdate of composer and pianist Régine Wieniawski, born in Brussels, the daughter of the Polish violinist and composer Henryk Wieniawski. Although a Franco-Belgian composer in style, she published her music under the Slavic-sounding pen name Poldowski.

She was admired by many of the most famous musicians of her day. Henry Wood programmed her works on Proms concerts, and in 1912, she gave a concert at London’s Aeolian Hall, that, quite unusual for the time, consisted solely of her own works with the her at the piano. That concert introduced 24 of her songs, many to texts of French poet Paul Verlaine.

The review in the Daily Telegraph noted, “nearly every song was a distinguished example of the art of word setting; and the sense of harmonic color is decidedly strong.”

The performance of her Violin Sonata, also on the program, was not as well received; the London Times sniffed, “the method which was successful in the songs was less effective in the Violin Sonata.”

Oh well, Poldowski’s Verlaine settings are still very much admired and performed, and her instrumental music, neglected for decades, is also getting renewed attention.

Régine Wieniawski (aka Poldowski) (1879-1932): Scherzo from Violin Sonata; Clare Howick, violin; Miroslaw Feldgebel, piano; Dux 1840